Monday, October 11, 2010

Wikinews interviewed author Amy Scobee about her book Scientology – Abuse at the Top, and asked her about her experiences working as an executive within the organization. Scobee joined the organization at age 14, and worked at Scientology’s international management headquarters for several years before leaving in 2005. She served as a Scientology executive in multiple high-ranking positions, working out of the international headquarters of Scientology known as “Gold Base”, located in Gilman Hot Springs near Hemet, California.

Thursday, February 15, 2007

Plymouth, Michigan, United States – This week, independent software developer Stardock released Galactic Civilizations II: Dark Avatar, an expansion to their PC turn-based strategy game Dread Lords. Industry websites IGN and GameSpy responded with Editors’ Choice awards, while UGO gave it an A. The expansion had previously been named as one of GameSpy’s Most Wanted Games of 2007.

Reviewers cited the significant increase in customization options, better artificial intelligence, and an improvement in graphics quality as decisive factors. UGO’s Adam Swiderski noted that “if creating a fleet of death-dealing starships sounds like fun to you (and it really should), this is your dream playground,” while GameSpy’s reviewer suggested that “after a week of playing Dark Avatar, you may forget Master of Orion altogether.” Criticism mostly revolved around “uninspired” ground combat, a too-generic tech tree, and the continued lack of multiplayer support.

The original game received some publicity for its lack of copy protection, but gained far more by the actions of a StarForce forum administrator, who made a post linking to an illegal BitTorrent download of the game. StarForce developer Protection Technology later claimed this to be a poorly-considered attempt to demonstrate the result of not using their software, which is designed to prevent software piracy. The result was a media backlash against the company, including satirical commentary by gaming webcomic/blog Penny Arcade describing the action as “extortion.” Its writer, Jerry Holkins, asked that “publishers distance themselves from a company that has shown such contempt for their industry.”

The expansion is available as an online purchase in CD or digital download form through Stardock’s gaming subsidiary, TotalGaming.net. A compilation of the original and expansion has also been released as Galactic Civilizations II: Gold Edition and is available in stores, say Stardock. Their retail game releases still contain no copy protection, but online activation is required to download updates.

Tuesday, September 27, 2005

Sun Microsystems has released StarOffice 8 today. StarOffice 8 is a commercial office suite that includes word-processing, spreadsheet, presentation, drawing and database applications.

According to Sun, StarOffice 8 “provides excellent compatibility with Microsoft Office”. This new version improves Word, Excel and PowerPoint import and export filters, improving support for password-protected Word and Excel files and presentations with complex animations, autoshapes and slide transitions. StarOffice 8 also includes a Microsoft Office macro converter allowing many Microsoft Office macros to work in StarOffice.

StarOffice 8 is also the first commercial office suite to support the OASIS Open Document Format for Office Applications (OpenDocument). OpenDocument is an XML based file format created by the Organization for the Advancement of Structured Information Standards. Massachusetts has recently announced the plan to switch to OpenDocument format. Microsoft has said it will not support the OpenDocument format.

StarOffice 8 is based on the open source OpenOffice.org project. OpenOffice.org was founded July 2000, by Sun with the release of StarOffice code under two open source licenses.

StarOffice 8 is available as a download from Sun’s Web site for $69.95, or packaged product can be ordered for $99.95. Enterprise customers can purchase StarOffice 8 for $35 (£20) per user. OpenOffice.org is available for free from openoffice.org.

Wednesday, July 7, 2010

The Netherlands defeated Uruguay in the semifinals of the 2010 FIFA World Cup on Tuesday. Uruguay was the last South American team holdout in the tournament. This year’s World Cup is is being hosted by South Africa.

Giovanni van Bronckhorst scored for the Dutch with a 35-yard shot in the eighteenth minute, while Uruguay’s Diego Forlan scored his fourth goal in this year’s World Cup to tie in the 41st minute.

However, after the Netherlands’ coach Bert van Marwijk replaced Demy de Zeeuw with attacker Rafael van der Vaart at halftime, the Dutch went on a roll, with Wesley Sneijder and Arjen Robben both scoring in the second half. They scored in quick succession, in the 70th and 73rd minutes, respectively. Uruguay later narrowed the Dutch’s lead to one point in injury time, but the orange-clad Dutch beat back late Uruguayan pressure after the injury time goal was scored.

The Dutch team was jubilant after their semifinal win. “This is unforgettable,” Sneijder said. “It was a tough fight and toward the end we complicated matters. Sunday we play in the World Cup final. I have to get used to that.”

Coach Bert van Marwijk was also happy. “This is very special. After 32 years we play the final again. Such a small country. We can be very proud of this.” Van Marwijk has been coach of the Netherlands for two years.

Fans of the Netherlands’ soccer team were wildly celebrating too. 45 minutes after the small Western European country won, many fans returned to Cape Town’s Green Point Stadium to see the players do a victory dance. Many of the fans beat drums and cheered “Holland! Holland! Holland!”

The Dutch will face either Spain or Germany Sunday in the World Cup finals. This will be their first World Cup final appearance since 1978, when they lost 3-1 to Argentina, who was playing on their home turf. The Dutch also lost the championship in 1974. Uruguay hadn’t appeared in the semifinals since 1970. However, they won the World Cup in 1930, and again in 1950, but they have since suffered a 60-year drought, which continues to this day.

Tuesday, January 28, 2014

Evansville, Indiana, United States — This past week marked the opening night of an Andy Warhol exhibit at the University of Southern Indiana. USI’s art gallery, like 189 other educational galleries and museums around the country, is a recipient of a major Warhol donor program, and this program is cultivating new interest in Warhol’s photographic legacy. Wikinews reporters attended the opening and spoke to donors, exhibit organizers and patrons.

The USI art gallery celebrated the Thursday opening with its display of Warhol’s Polaroids, gelatin silver prints and several colored screen prints. USI’s exhibit, which is located in Evansville, Indiana, is to run from January 23 through March 9.

The McCutchan Art Center/Pace Galleries at USI bases its exhibit around roughly 100 Polaroids selected from its collection. The Polaroids were all donated by the Andy Warhol Photographic Legacy Program, according to Kristen Wilkins, assistant professor of photography and curator of the exhibit. The Andy Warhol Foundation for the Visual Arts made two donations to USI Art Collections, in 2007 and a second recently.

Kathryn Waters, director of the gallery, expressed interest in further donations from the foundation in the future.

Since 2007 the Andy Warhol Photographic Legacy Program has seeded university art galleries throughout the United States with over 28,000 Andy Warhol photographs and other artifacts. The program takes a decentralized approach to Warhol’s photography collection and encourages university art galleries to regularly disseminate and educate audiences about Warhol’s artistic vision, especially in the area of photography.

Wikinews provides additional video, audio and photographs so our readers may learn more.

Wilkins observed that the 2007 starting date of the donation program, which is part of the Andy Warhol Foundation for the Visual Arts, coincided with the 20th anniversary of Andy Warhol’s death in 1987. USI was not alone in receiving a donation.

K.C. Maurer, chief financial officer and treasurer at the Andy Warhol Foundation, said 500 institutions received the initial invitation and currently 190 universities have accepted one or more donations. Institutional recipients, said Mauer, are required to exhibit their donated Warhol photographs every ten years as one stipulation.

While USI is holding its exhibit, there are also Warhol Polaroid exhibits at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York and an Edward Steichen and Andy Warhol exhibit at the Mary & Leigh Block Museum of Art at Northwestern University in Evanston, Illinois. All have received Polaroids from the foundation.

University exhibits can reach out and attract large audiences. For example, the Weatherspoon Art Museum at the University of North Carolina at Greensboro saw attendance levels reach 11,000 visitors when it exhibited its Warhol collection in 2010, according to curator Elaine Gustafon. That exhibit was part of a collaboration combining the collections from Duke University, located in Durham, North Carolina, and University of North Carolina at Chapel Hill, which also were recipients of donated items from the Andy Warhol Photographic Legacy Program.

Each collection donated by the Andy Warhol Photographic Legacy Program holds Polaroids of well-known celebrities. The successful UNC Greensboro exhibit included Polaroids of author Truman Capote and singer-songwriter Carly Simon.

“I think America’s obsession with celebrity culture is as strong today as it was when Warhol was living”, said Gustafon. “People are still intrigued by how stars live, dress and socialize, since it is so different from most people’s every day lives.”

Wilkins explained Warhol’s obsession with celebrities began when he first collected head shots as a kid and continued as a passion throughout his life. “He’s hanging out with the celebrities, and has kind of become the same sort of celebrity he was interested in documenting earlier in his career”, Wilkins said.

The exhibit at USI includes Polaroids of actor Dennis Hopper; musician Nick Rhodes of Duran Duran; publishers Jann Wenner of Rolling Stone Magazine and Carlo De Benedetti of Italy’s la Repubblica; disco club owner Steve Rubell of Studio 54; photographers Nat Finkelstein, Christopher Makos and Felice Quinto; and athletes Vitas Gerulaitis (tennis) and Jack Nicklaus (golf).

Wikinews observed the USI exhibit identifies and features Polaroids of fashion designer Halston, a former resident of Evansville.

University collections across the United States also include Polaroids of “unknowns” who have not yet had their fifteen minutes of fame. Cynthia Thompson, curator and director of exhibits at the University of Arkansas, Fayetteville, said, “These images serve as documentation of people in his every day life and art — one which many of us enjoy a glimpse into.”

Warhol was close to important touchstones of the 1960s, including art, music, consumer culture, fashion, and celebrity worship, which were all buzzwords and images Wikinews observed at USI’s opening exhibit.

He was also an influential figure in the pop art movement. “Pop art was about what popular American culture really thought was important”, Kathryn Waters said. “That’s why he did the Campbell Soup cans or the Marilyn pictures, these iconic products of American culture whether they be in film, video or actually products we consumed. So even back in the sixties, he was very aware of this part of our culture. Which as we all know in 2014, has only increased probably a thousand fold.”

“I think everybody knows Andy Warhol’s name, even non-art people, that’s a name they might know because he was such a personality”, Water said.

Hilary Braysmith, USI associate professor of art history, said, “I think his photography is equally influential as his graphic works, his more famous pictures of Marilyn. In terms of the evolution of photography and experimentation, like painting on them or the celebrity fascination, I think he was really ground-breaking in that regard.”

The Polaroid format is not what made Warhol famous, however, he is in the company of other well-known photographers who used the camera, such as Ansel Adams, Chuck Close, Walker Evans, Robert Mapplethorpe, and Helmut Newton.

Wilkins said, “[Warhol] liked the way photo booths and the Polaroid’s front flash looked”. She explained how Warhol’s adoption of the Polaroid camera revealed his process. According to Wilkins, Warhol was able to reproduce the Polaroid photograph and create an enlargement of it, which he then could use to commit the image to the silk screen medium by applying paint or manipulating them further. One of the silk screens exhibited at USI this time was the Annie Oakley screen print called “Cowboys and Indians” from 1987.

Wilkins also said Warhol was both an artist and a businessperson. “As a way to commercialize his work, he would make a blue Marilyn and a pink Marilyn and a yellow Marilyn, and then you could pick your favorite color and buy that. It was a very practical salesman approach to his work. He was very prolific but very business minded about that.”

“He wanted to be rich and famous and he made lots of choices to go that way”, Wilkins said.

Kiara Perkins, a second year USI art major, admitted she was willing to skip class Thursday night to attend the opening exhibit but then circumstances allowed for her to attend the exhibit. Why did she so badly want to attend? “It’s Warhol. He is a legend.”

For Kevin Allton, a USI instructor in English, Warhol was also a legend. He said, “Andy Warhol was the center of the Zeitgeist for the 20th century and everything since. He is a post-modern diety.”

Allton said he had only seen the Silver Clouds installation before in film. The Silver Clouds installation were silver balloons blown up with helium, and those balloons filled one of the smaller rooms in the gallery. “I thought that in real life it was really kind of magical,” Allton said. “I smacked them around.”

Elements of the Zeitgeist were also playfully recreated on USI’s opening night. In her opening remarks for attendees, Waters pointed out those features to attendees, noting the touches of the Warhol Factory, or the studio where he worked, that were present around them. She pointed to the refreshment table with Campbell’s Soup served with “electric” Kool Aid and tables adorned with colorful gumball “pills”. The music in the background was from such bands as The Velvet Underground.

The big hit of the evening, Wikinews observed from the long line, was the Polaroid-room where attendees could wear a Warhol-like wig or don crazy glasses and have their own Polaroid taken. The Polaroids were ready in an instant and immediately displayed at the entry of the exhibit. Exhibit goers then became part of the very exhibit they had wanted to attend. In fact, many people Wikinews observed took out their mobiles as they left for the evening and used their own phone cameras to make one further record of the moment — a photo of a photo. Perhaps they had learned an important lesson from the Warhol exhibit that cultural events like these were ripe for use and reuse. We might even call these exit instant snap shots, the self selfie.

Wednesday, November 4, 2015

The Volkswagen emissions scandal continued yesterday with the company announcing 800,000 mainly diesel vehicles may also be affected by carbon dioxide emissions problems.

The company stated “the safety of the vehicles is in no way compromised”. They estimated potentially this could cost them €2bn on top of the €6.7bn set aside to pay for the cost of correcting 11 million cars affected when the scandal broke, in addition to fines by regulators.

This follows Monday’s revelation that the emissions scandal has affected up to 10,000 vehicles sold in the USA by brands in the Volkswagen group, although the company refutes the allegation. The United States Environmental Protection Agency (EPA), the regulatory body which has been investigating Volkswagen, claims the company fitted a number of recent Audi, Porsche, and Volkswagen models with technology that initiates secret components during emission tests to ensure the results are favourable.

The scandal began with damaging revelations that the car manufacturer has been using illegal software to enable diesel cars to cheat on mandatory emissions tests. This lead to a public apology on September 20 by then-chief executive Martin Winterkorn and the promise of an outside inquiry. He then resigned on September 23, and was replaced by Matthias Müller. The new allegation about Porsche is of particular concern for Müller, because he had previously been in charge of Porsche.

The company is expected to foot the bill for the recall of close to 500,000 VW and Audi cars affected at the time. There is also the possibility of Volkswagen having to pay federal fines of up to US$18 billion dollars because the US Clean Air Act sets a maximum fine of US$37,500 for each vehicle that contravenes the requirements of the Act.

An investigation into alleged breaches of environmental law was originally initiated on the advice of the International Council on Clean Transportation, a European non-governmental organisation. The EPA requested tests be carried out by West Virginia University, where the secret software was discovered.

The software, known as a “defeat device”, enabled cars to identify when they were being tested and to switch on the emission control system. The devices may have been adding urea to the car exhaust because that would reduce the amount of nitrogen dioxide. The car would release a fraction of the nitrogen oxide compared to when they were being driven normally. Emissions of nitrogen oxide contribute to smog and are thought to have caused a rise in respiratory illnesses like asthma.

Thursday, July 24, 2008

A bus crash in Victoria, Australia has injured at least 20 people, two of whom are listed as critical. One victim is reported to be still trapped in the wreckage.

The accident occurred between a bus and a semi-trailer on the Princes Highway in the Traralgon area around 10:50am AEST. The La Trobe Valley Busliner bus was traveling east when it collided with the back of a heavy haulage truck.

Those critically injured are being airlifted to a hospital in Melbourne. Others are being transported by Ambulance to La Trobe Valley Hospital in Traralgon.

SES crews are on scene, along with St. John Ambulance and fire crews.

The eastbound lanes of the highway have been blocked by police and traffic is being diverted.